Microphone and line inputs are available on the rear panel, while instrument inputs are available for all eight channels on the front panel. Each channel can be controlled individually in respect to input levels and phase, phantom power and filter switching, or grouped in any combination, up to all eight channels.
Digital outputs include eight channels of AES/EBU and dual ADAT Lightpipe connectors. Both formats can function at high sample rates. Wordclock I/O is available on dedicated BNC connectors. To avoid degrading signal integrity, RME chose to avoid the use of limiters and provide instead automatic gain reduction with selectable threshold.
Even with this feature engaged, any channel can still be adjusted manually.
The Micstacy will function equally well on the road as in the studio. Aside from a microphone preamp, the unit can function as a splitter box for stage use, distribute digital signal and also includes features like Intelligent Clock Control (ICC), SyncCheck, SteadyClock, TotalGain, AutoSet, MIDI over MADI and remote control via MADI and MIDI.
From the very beginning, unsurpassed performance has been one of the cornerstones of RME‘s product design, and this is even more evident today. RME were the first to deliver professional performance over USB 2.0 and have recently paved the way for multichannel audio on USB 3.0 and Thunderbolt technology for Windows. RME‘s refusal to compromise on any aspect of product design or manufacture has resulted an unrivalled reputation for quality, performance and reliability.
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